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・ Hundred Flower Pond
・ Hundred Flowers (newspaper)
・ Hundred Flowers Award for Best Actor
・ Hundred Flowers Award for Best Actress
・ Hundred Flowers Award for Best Animation
・ Hundred Flowers Award for Best Art Direction
・ Hundred Flowers Award for Best Chinese Opera Film
・ Hundred Flowers Award for Best Cinematography
・ Hundred Flowers Award for Best Co-produced Film
・ Hundred Flowers Award for Best Director
・ Hundred Flowers Award for Best Original Score
・ Hundred Flowers Award for Best Picture
・ Hundred Flowers Award for Best Supporting Actor
・ Hundred Flowers Award for Best Supporting Actress
・ Hundred Flowers Awards
Hundred Flowers Campaign
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Hundred Flowers Campaign : ウィキペディア英語版
Hundred Flowers Campaign

The Hundred Flowers Campaign, also termed the Hundred Flowers Movement (), was a period in 1956 in the People's Republic of China〔MacFarquhar, Roderick. ''The Hundred Flowers'', 1960, pp. 3〕 during which the Communist Party of China (CPC) encouraged its citizens to openly express their opinions of the communist regime. Differing views and solutions to national policy were encouraged based on the famous expression by Communist Party Chairman Mao Zedong: "The policy of letting a hundred flowers bloom and a hundred schools of thought contend is designed to promote the flourishing of the arts and the progress of science."〔(【引用サイトリンク】title=Definition of Hundred Flowers )〕 After this brief period of liberalization, Mao abruptly changed course. The crackdown continued through 1957 as an Anti-Rightist Campaign against those who were critical of the regime and its ideology. Those targeted were publicly criticized and condemned to prison labor camps. Mao remarked at the time that he had "enticed the snakes out of their caves."
The first part of the phrase is often remembered as "let a hundred flowers bloom". It is used to refer to an orchestrated campaign to flush out dissidents by encouraging them to show themselves as critical of the regime, and then subsequently imprison them. This view is supported by authors Clive James and Jung Chang, who posit that the campaign was, from the start, a ruse intended to expose rightists and counter-revolutionaries, and that Mao Zedong persecuted those whose views were different from the party's.
Mao's personal physician Li Zhisui, suggested that the campaign was "a gamble, based on a calculation that genuine counterrevolutionaries were few, that rebels like Hu Feng had been permanently intimidated into silence, and that other intellectuals would follow Mao's lead, speaking out only against the people and practices Mao himself most wanted to subject to reform." Only when criticisms began shifting toward him personally did Mao move to suppress the Hundred Flowers movement and punish some of its participants.
The ideological crackdown following the campaign's failure re-imposed Maoist orthodoxy in public expression, and catalyzed the Anti-Rightist Movement.
==History==
In the summer Mao found the idea interesting, and had superseded Zhou Enlai to take control. The idea was to have intellectuals discuss the country's problems in order to promote new forms of arts and new cultural institutions. Mao, however, also saw this as the chance to promote socialism. He believed that after discussion it would be apparent that socialist ideology was the dominant ideology over capitalism, even amongst non-communist Chinese, and would thus propel the development and spread of the goals of socialism.
The beginning of the Hundred Flowers Movement was marked by a speech titled ''(On the Correct Handling of the Contradictions Among the People )'', in which Mao displayed open support for the campaign, saying "Our society cannot back down, it could only progress... criticism of the bureaucracy is pushing the government towards the better." The speech, published on February 27, 1957, encouraged people to vent their criticisms as long as they were "constructive" ("among the people") rather than "hateful and destructive" ("between the enemy and ourselves").
The name of the movement originated in a poem: ("Let a hundred flowers bloom; let a hundred schools of thought contend"). Mao had used this to signal what he had wanted from the intellectuals of the country, for different and competing ideologies to voice their opinions about the issues of the day. He alluded to the Warring States era when numerous schools of thought competed for ideological, not military, supremacy. Historically, Confucianism and Taoism had gained prominence, and socialism would now stand to its test.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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